Alice Cooper – Go Go, It Doesn’t Want To Be Free
Live at the Whisky a go go Summary: In 1992, Alice Cooper released a vinyl record titled “Live
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Discover Meaty Beaty Big And Bouncy on vinyl, published by Essex Music and pressed by Phonodisc Ltd. This classic release is printed and made by E.J. Day Group for Polydor Records Ltd., with the lacquer expertly cut at Phonodisc Ltd. Essential for collectors!
Summary
Spin back the hands of time with Meaty Beaty Big and Bouncy—the 1971 anthology that packs the phenomenal punch of The Who in one juicy, jump-into-the-groove platter. Released by Track Record (Catalog #2406 006), this iconic vinyl pulls together the band’s biggest, boldest singles from their explosive rise through the sixties and early seventies. Think of it as a greatest hits party on wax, where mods, rockers, and every rebel in between are invited. Whether you’re a seasoned Who fanatic or just dipping a toe into classic rock waters, Meaty Beaty Big and Bouncy is a record that shakes, rattles, and—naturally—bounces.
About the Artist
Before they were arena gods, The Who carved out their sound in the smoke-filled clubs of swinging London. With Pete Townshend’s windmill-strumming, Roger Daltrey’s swaggering vocals, John Entwistle’s thunderous bass, and Keith Moon’s wild drumming, The Who became known as the unruliest bunch in British rock. Their sound mixed gritty rhythm and blues, artful hooks, and a punky disregard for rules—a recipe that helped define the mod movement. By the time Meaty Beaty Big and Bouncy appeared, the band had already dropped landmark albums (Tommy, anyone?) and were on the cusp of reinventing themselves.
About the Record
Meaty Beaty Big and Bouncy isn’t just a compilation; it’s a cultural snapshot, distilling a generation’s adolescent angst and bravado. It’s fourteen tracks brim with the energy of British youth culture, from the stammering anthem “My Generation”—with its legendary “hope I die before I get old”—to the wistful “The Kids Are Alright” and the irrepressible “I Can See For Miles.” Side by side, these songs span the band’s early singles and chart the evolution of classic rock.
About the Cover
Let’s talk art. The cover of Meaty Beaty Big and Bouncy is as playful and irreverent as the record itself. It features four streetwise kids gazing at a tenement window, where The Who themselves peer out like curious bluesmen gods above their fans. Decades before Easter eggs were cool, Townshend explained that the scene was meant to represent young listeners sizing up their new rock & roll heroes, while hinting at the cycle of influence and inspiration. The grainy, almost candid look? All very intentional. This wasn’t polished pop, but gritty, honest-to-goodness rock.
About the Lyrics & Music
From the impish storytelling of “Pictures of Lily” (one of classic rock’s cheekiest explorations of teenage longing) to the generational call-to-arms of “Substitute,” The Who’s lyrical wit is on full display. Pete Townshend’s pen is mischievous and poignant, never shying away from society’s growing pains or the search for identity. And the music? Pure rock dynamite. “I Can’t Explain” pounces out of the speakers with puppyish glee, while “Happy Jack” nods to English music halls, and “Magic Bus” brings in a flavor of bluesy psychedelia.
Standout tracks include “Pinball Wizard” (lifted from Tommy), which shows off Townshend’s lightning-fast chord changes and Daltrey’s vocal bravado; and the raw, instantly recognizable power chords of “My Generation.” The band’s career-defining style—fuzzbox guitars, leaping bass lines, drums like a runaway train—set the stage for everyone from punk to power pop.
Conclusion
Meaty Beaty Big and Bouncy remains a firecracker of a record—a riotous, sharply curated intro to The Who’s early brilliance and a celebration of rock’s formative spirit. It isn’t just a record; it’s a rite of passage for any vinyl junkie or rock historian. Whether you want a crash course in classic rock anthems or simply to relive the British Invasion’s glory days, this vinyl spins pure joy.
Other Recommendations
Craving more of The Who? Check out Who’s Next (1971), where synthesizers muscle in and “Baba O’Riley” kicks off the stadium era, or the legendary rock opera Tommy (1969). For a deeper dive, A Quick One (1966) offers a glimpse into their experimental roots.
For fellow mod-rock trailblazers, spin The Kinks’ Something Else by The Kinks (1967) or Small Faces’ Ogden’s Nut Gone Flake (1968). And if you love that British Invasion punch, The Rolling Stones’ Through The Past, Darkly is another classic “best of” collection on vinyl.
Don’t forget—a record collection with Meaty Beaty Big and Bouncy at its heart can only get better with age. Drop the needle, turn it up, and let The Who blow your socks off, all over again.
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