Summary
“Look Here” (1980, Mercury 9102 505) is 10cc doing what they’ve always done best: smuggling big hooks inside clever, slightly mischievous pop. Released at the dawn of the ’80s, this LP finds the band polishing their art-pop craft into something leaner, punchier, and radio-ready—without losing the wink.

About the Artist
10cc started as studio wizards with a songwriter’s heart and a producer’s toolbox. By the time Look Here arrived, the group had already earned a reputation for brainy pop and immaculate layering (the kind of band other bands quietly studied). This era is the post–Godley & Creme chapter, with Graham Gouldman and Eric Stewart steering the ship and keeping the melodies sharp while the arrangements stayed deliciously detailed.

About the Record
Often stylised as “Look Hear?” (a neat little see/hear pun), the album captures 10cc bridging late-’70s sophistication into early-’80s snap. It’s less overtly sprawling than some earlier classics, but it’s packed with craft: bright guitars, tight rhythms, and choruses that land like well-timed punchlines. At the time, pop was getting sleeker—Look Here meets that moment without sanding off 10cc’s personality.

The record has an inner sleeve with lyrics and includes a poster with dimensions of about  75×50 cm.

About the Cover
The sleeve leans into that playful “audio vs. visual” concept. It’s the kind of cover that feels like an inside joke: minimal, graphic, and designed to make you look twice—perfect for a record built on musical misdirection and studio finesse.

About the Lyrics & Music
The tracklist is a tour through 10cc’s favorite territory: love, regret, and human comedy—served with melody-first generosity. Standouts include:

“One-Two-Five” – a driving opener that proves they could still rock with precision.
“How’m I Ever Gonna Say Goodbye” – a tender, elegantly constructed ballad that sneaks up on you (prime “needle-drop and suddenly you’re listening closely” material).
“Dressed To Kill” – stylish, melodic bite with that 10cc knack for turning attitude into harmony.
Across the album, the “trick” is how smooth it feels: layered vocals and carefully placed parts that reward headphones, but never feel fussy.

Conclusion
If you want 10cc in a streamlined, early-’80s frame—still clever, still tuneful, still packed with studio sparkle—Mercury 9102 505 is a satisfying grab. Look, here is the sound of seasoned pop architects having fun with the blueprint.

Other Recommendations
If Look Here clicks, queue up:

10cc – Deceptive Bends (warm, melodic, post-classic-era charm).
10cc – Bloody Tourists (sleek songwriting with sharp edges).
Similar vibes: Supertramp, The Alan Parsons Project, Steely Dan (for studio-polished pop with brains and bounce).